Monday, May 21, 2012

Correctly Balancing White Balance

Learning photography is a never-ending process. And the more you shoot, the more you learn.


I was invited to two events. One was the Chicago Filipino-American Hall of Fame and the other was the UERMMMC MAA of the Midwest Induction and Dance. I considered both events as a great opportunity to photograph wonderful people and, also, to expand my knowledge of photography.


In the first event, I shot straight on, that is, with an on-camera speedlite with the flash bounced off walls, ceilings, etc.


However, I immediately noticed one problem: my subjects were properly white balanced, but the backgrounds were not. I'll give you an example here:


Garybc 20120428 5D 007


You can see the difference between the light falling on my subjects from the speedlite and the light illuminating the background. This is because the light from the speedlite has a color temperature of around 5500K whereas the room has a tungsten color temperature (around 3400K).


So, I decided to do something about it.


I got a Rouge Gel Kit. This kit is composed of a pouch, an attachment band, and the filters that you can put on your speedlite.


Garybc 20120510 7D 005

Garybc 20120511 7D 013


So, using a half CTO gel (6500K to 3800K) in the second event that I attended, I was able to balance the light from the speedlite and the light from the tungsten bulbs. This enable me to get a more monochromatic picture.


Garybc 20120512 5D 022


So, if you want to improve your photography, I suggest you shoot more, learn more, and set a properly white-balanced shot.


Go get your Expoimaging Rogue Gels here:





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Event photos made with a Canon 5D Mark II, a Canon 24-105 f/4L lens and a Canon 430EX-II speedlite.


Photos of the Rogue Gels made with a Canon 7D and a Canon 24-105 f/4L lens.

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