Tuesday, August 20, 2013

Chicago Air & Water Show 2013

The Chicago Air & Water Show is something that I always look forward to in the summer time. I've always been fascinated by airplanes and it actually is the reason, well, aerodynamics actually, why I went into physics a lifetime ago. And to be able to combine my love of airplanes to my love of photography is an opportunity that I cannot miss. This is my 4th event. And some people may not understand my desire to go there despite what I have to go through - the heavy traffic to go to such an event, the almost couple of million of beach-goers jostling for position, and the summer-time heat - but for me, the Air & Water Show is something of a pilgrimage...

And when I took the photos of the airplanes in the smoke-filled sky, it was as if I was flying with them...

These are some, of the hundreds, of the photos that I took during the event...

































And talking about the crowd... Oh, it was also awesome to watch the really hard-working lifeguards! It's amazing to see them dart from one place to another, sand or water, amidst the crowd to assist the other lifeguards and the people in need.








Taking these photos were worth the sunburn that I got! Well, my right side is crispier than my left because of the relative position between myself and the aircrafts... :)

















And finally, my most favorite photos...


















I love the Air & Water Show. I'd visit it again, and again, and again. If only I could...

PS. I made some animated GIFs of the show. There are already a lot of photos here so I will post those GIFs in another post. :)


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Gear used to make this post:

Thursday, August 15, 2013

High Key Creative Portraiture Using Gel

The wife needed a portrait for her latest Rappler article (Rappler is an online news website operating in the Philippines). I immediately set my mind to making a high-key portrait.

In the first attempt, I just did a simple one light set-up: an umbrella set up high in front of my subject. But I felt it was a little common so I decided to use a reflector to bounce up some of the light and also to illuminate my subject. Also, the background faded into grey.


I wanted to add some style to the set up so I used a second speedlite, gelled with an orange gel and with the second speedlite used to illuminate the background.



To do some variations, I placed the second speedlite on camera left. This will still illuminate the background but it has the pleasant effect of illuminating the subject's right cheek.



For the last style, I placed the second speedlite back behind the subject, but this time, I pointed the speedlite towards the back of the subject so that this secondary light source will serve as a rim light. I love this effect. The only thing that I would have corrected is to overexpose the background, something that could be done by a third speedlite.



The wife ended up choosing the one with the second speedlite on camera left. My personal favorite is the one from the last set up, but she's the client so she gets to choose what she wants to use. :)

Bonus photo... The keylight speedlite turned off - it took me some time to make an adjustment and the speedlite turned itself off - and you can see here the effect of just the second speedlite aimed at the background.


Another bonus photo: the actual shot of the second set up. There really wasn't a professional-made background... That actually was our off-white door! :)


The key accessories here are the light modifiers and the wireless triggers. The bounced light coming from the Westcott umbrella softened the light and the Flashbender, used as a snoot, limited the light to a cone. And of course, the Phottix Ares units were critical in this set up: I was standing behind the umbrella and the second speedlite was nowhere seen by the camera so there is no direct line-of-sight between the camera and the speedlites - the radio trigger still enabled me to use my speedlites despite this limitation.

And of course, my favorite go-to lens for portraitures and tight spaces is the Canon 100mm Macro (second best for a more limited space is the Canon 50mm).

Hope this lighting set up and how-to helps!

Cheers!

PS. The wife's top is from Victoria's Secret...


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Gear used to make this post:

Tuesday, August 6, 2013

The Rogue FlashBender-Large and Diffuser by ExpoImaging - A Review


  • First rule of speedlite portraiture photography: Get your speedlite off camera.
  • Second rule of speedlite portraiture photography: do not point the speedlite directly at your subject
  • Third rule of speedlite portraiture photography: diffuse your speedlite.

This post is about the second and the third. (Well, the speedlite is already off-camera so, it's really about all three...)

The Rogue Flashbender is a nice thing to have in your camera bag. It folds flat, it's lightweight, and it greatly improves your portrait photography. The Flashbender comes in two sizes, the small and the large. The focus of this post is the large, though I reviewed the small here more than a year ago.


The large measures at 10 inches by 11 inches. It is twice the effective surface area of the small. You attach it in the same way as the small: the built-in strap is wrapped around your speedlite. And since the strap is built into the reflector, there is no chance of you losing it, nor forgetting it back home. Oh, and there are no adhesives so your speedlite won't get sticky after you use the FlashBender.

The nice folks at ExpoImaging included a free colored filter, a dark red one. I would have wished for a more useful one, like a CTO filter, but, hey, you can't go wrong with free.


Here is a sample photo of Harima with just a bare speedlite. The picture is already nice because of the fact that the speedlite is off-camera. But that shadow behind him is a little unsettling. Also, I had to turn down the power of the speedlite because of the hotspot that illuminated Harima's nose (camera left). Looking at the photo, you can see that his nose is brighter that his eyes. If I didn't turn the light down, his nose will be overexposed if I properly exposed his eyes.


The picture is greatly improved with the help of the FlashBender.

The light, because it is made bigger by the reflector, wraps around my subject. More light illuminates Harima's right side. Also, the shadow is more diffused. Obviously, this second photo is much better than the first.


But, the story doesn't end there! If you want to improve the photograph a lot more, then use the separately sold diffuser.


Attaching the diffuser is easy. It has velcro straps on the edges and you just velcro it to the FlashBender. Then, you just attach the FlashBender as before. I find that it is easier to attach the diffuser first before I attach the system to the speedlite.


The Expoimaging Diffuser essentially converts your speedlite to a handy, portable lightbox.

The diffuser softens the light some more without really much loss in light. The thing that makes this extra accessory great is the thicker portion just where the lamp of the speedlite is supposed to be. This thicker portion dampens the light at the source. Because of this, the light coming from the system is more even - there is no hotspot where the speedlite lamp is. And even light means better pictures!

And that is shown in the picture below. Harima's paws have the same amount of illumination as his face. Yes, the diffuser evens out the light. But, the downside is the background is less lit because of the light cut off caused by the diffuser. I said there is not much loss in light, but there still is some loss. You have to consider that when you use the diffuser for your photography.


So, I recommend that you get these accessories. They are light, not very expensive and greatly improves your photography. Oh, as an added feature, you can also roll the Flashbender into a tube and now you have a snoot! How cool is that? And of course, you can always use it as a small flag so light from your speedlite won't go where you don't want it to.

The Rogue FlashBender Large is Highly Recommended!

So get yours here:

 


PS. Do you want to see how it performed in the real world? Check out my portraiture post here and the behind-the-scenes here.

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Gear used to make this post:

Thursday, August 1, 2013

Cloud Gate (aka The Bean) at the Blue Hour





Taken one lovely, but cold, summer twilight. Too cold for summer, that is...

I needed the stability of a full tripod, so I brought the big gun. I lost the tripod bag in the process (sad and disappointed at myself for this), but these photos made it worthwhile. And yes, the Canon Powershot G15 is capable of making these types of photos.

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Gear used to make this post:

-- Canon Powershot G15 (Reviews Part 1 and Part 2)

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